The Endeavour

by BARST

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1.

credits

released May 18, 2018

all songs on this album are written, recorded and produced by b. desmet · Recorded at house of drones studios Belgium · engineered and mixed by b. desmet · additional mixing by j. buts · mastered by j. buts & j. nyaar, go to eleven · artwork by m. de smet *

side a: beyond the fields: earth space light, turning tides, realize paradise, out there, beyond the fields · b. desmet: guitars, electronics, beats · messy mathi: vocals · tokyo oyo: violin · niles brown: bass · gregory simons: snares, hi-hats, harmonic strings · mathlovsky: beats · mike armine: electronics · words: b. desmet & messy mathi - point b: b. desmet: guitars, electronics, beats · messy mathi: vocals · niles brown: vocals, bass · gregory simons: snares, hi-hats, bass · mathlovsky: beats · words: niles brown - death : fury, melting destruction, glitching disorder, die, shut your hole, get out of the way, rot in pain, motherfucker, scratching struggle, what the fuck is all this restlessness, what the fuck is all this shit · b. desmet: guitars, electronics, beats · messy mathi: vocals · niles brown: bass · gregory simons: snares, hi-hats · mathlovsky: beats · words: b. Desmet & messy mathi - SIDE B: wandering the maze: blazing whispers over my head, i've been here for too long, wandering the maze, don't give in, caleidoscope whirling spin, fuel driven desire, cut my wire , wandering the maze · b. desmet: guitars, electronics, beats · messy mathi: vocals · niles brown: bass · gregory simons: snares, hi-hats · mathlovsky: beats · William Lacalmontie: vocals · words: b. desmet & William Lacalmontie - live long: I, I die, live long, I die, die, wide eyes · b. desmet: guitars, electronics, beats · messy mathi: vocals · niles brown: bass, vocals · gregory simons: snares, hi-hats, bass · mathlovsky: beats · words: niles brown - the mad: we want the love we are the mad angry we kill the life the fear to lose to choose to prove to cry to lie to die we hate to give to live we seek we die we steal to feel alive we dive we strive · b. desmet: guitars, electronics, beats · messy mathi: vocals · tokyo oyo: saxophone · niles brown: bass · gregory simons: snares, hi-hats, harmonic strings · matlovsky: beats · words: b. desmet -* when you die it will be good: b. desmet: guitars, electronics, beats · vocals · Tokyo oyo: violin · niles brown: bass · gregory simons: piano, snares, hi-hats, harmonic strings · matlovsky: beats

Eternal thanks to : ra, the fluffy bringer of light surrounding us with happiness the entire time · jozef Desmet for caring, nurturing ra and everyone else. We build on jozef · Undying love for Mike Keirsbilck & Nele Buys because without them everything would be darkness · Kurt Overbergh for believing in our madness and for making our dreams come true · we would like to thank our dear friends and beloved ones: Michel Sol, Annemarie de groote, dehn sora, thibaud meiresone, joris De Bolle, jeroen jacobs, stephan vercaemer, wendy -onrust- mulder, patrick bruneel, wouter duprez, andy de brouwer, niels verwijk, franky roels, jens tytgat, gina van den meersch, ines de smet, luc lievens, dok negro, ruben lammertyn, lindsey de laat, annick de smet, Michel Simons, robert de bruyn, marleen vervoort, juup de bruyn, halil brown, michel leemans, karolien van humbeek, tinne vandersmissen, lien peters, and maarten deconinck · we would like to express our gratitude to compagnie hiroshi wakamatsu: hiroshi wakamatsu, jam era, aisa burgwal, elien devlieger, jelmer daelman, kathleen van den abeele, maiken vanoverberghe, raquel sanchez flechas and stefanie roux · this album is the fruit of the love between j. buts, mike armine, William lacalmontie, mathlovsky, niles brown, gegory simons, messy mathi, Tokyo oyo, marlies de smet and b. Desmet. thank you for bearing with me. When I die it will be good. barst is love

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BARST Brussels, Belgium

BARST wants to break out of the prescriptive and normative song structures, and tears down the walls between all sorts of genres, inviting the listener to create its own imaginary worlds. For this, BARST relies on a vast array of pedals, synths, samplers, drone tracks, drum computers and effects. His sound is spatial and even orchestral. ... more

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